Barry Moser arrived in Western Massachusetts in 1967, and from there began a career that has swept the ranges of book-making, from design to printing to illustration. Through several artists, among them Leonard Baskin, Moser nurtured his craft. Baskin’s artwork and tutelage proved essential to Moser’s foray into woodcuts, and his stylistic bridge of the mythological and the human did much to shape Moser’s own artistic identity. Spurred on by that newfound passion for printing and a commission to illustrate a trade book, in 1969 he founded his Pennyroyal Press. Throughout the years, Pennyroyal Press functioned as an avenue for...